70 years after the 1951 Festival of Britain, post-war British design remains in fashion. The modes and functional forms of the fifties and sixties look as contemporary today as they did in the height of Modernism, and the classic brands like Ercol, Stag, G-plan and Hille are not only timelessly stylish, but also highly collectable.
In 1998, the New York Times noted a resurgence in a design style they dubbed “Mid Century Modern”, the industrial, futuristic design style that originally signified optimism and a shift away from more traditional decorating styles. From the graceful silhouettes of Hans Wenger, to the warm woods favoured by the likes of Florence Knoll, Ib Kofod Larsen, and Jens Risom, the design principles of this one era, have not only remained in vogue, but have sparked countless copies and reissues.